Cloud AtlaseBook - 2004
A postmodern visionary and one of the leading voices in twenty-first-century fiction, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending, philosophical and scientific speculation in the tradition of Umberto Eco, Haruki Murakami, and Philip K. Dick. The result is brilliantly original fiction as profound as it is playful. In this groundbreaking novel, an influential favorite among a new generation of writers, Mitchell explores with daring artistry fundamental questions of reality and identity.
Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . . Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.
But the story doesn't end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.
Praise for Cloud Atlas
"[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel's every page." -- The New York Times Book Review
"One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is--and should be--read by any student of contemporary literature." --Dave Eggers
"Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative." -- People
"The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet--not just dazzling, amusing, or clever but heartbreaking and passionate, too. I've never read anything quite like it, and I'm grateful to have lived, for a while, in all its many worlds." --Michael Chabon
" Cloud Atlas ought to make [Mitchell] famous on both sides of the Atlantic as a writer whose fearlessness is matched by his talent." -- The Washington Post Book World
"Thrilling . . . One of the biggest joys in Cloud Atlas is watching Mitchell sashay from genre to genre without a hitch in his dance step." -- Boston Sunday Globe
"Grand and elaborate . . . [Mitchell] creates a world and language at once foreign and strange, yet strikingly familiar and intimate." -- Los Angeles Times
From the Hardcover edition.
From Library Staff
SPL_Shauna Feb 10, 2016
Brilliant, elegant sci-fi turducken of a novel. Plots within plots. Perfectly executed.
AnneDromeda Jan 07, 2013
David Mitchell’s *Cloud Atlas,* released in 2004, fits the definition of a sleeper hit. Ridiculously well reviewed, its unconventional composition threw many early readers. It took time for word of mouth to spread from those tenacious readers who made it far enough into the book to make sense of ... Read More »
From the critics
SummaryAdd a Summary
A convoluted mess that wanders along several threads. Found the one interesting thread and finished it across several chapters, then gave up on the book.
The reader follows a group of different people through reincarnations - starting with Adam Ewing. It seems that regardless if a character lived a full life or not, his or her story goes on.
The reader also goes on a passage of time. He/she will reach the pinnacle of humanity, which falls and starts all over again for a lack of better terminology!
On a side note: It was interesting how David Mitchell structured the novel. Unfortunately, it simply did not keep my interest.
David Mitchell’s *Cloud Atlas,* released in 2004, fits the definition of a sleeper hit. Ridiculously well reviewed, its unconventional composition threw many early readers. It took time for word of mouth to spread from those tenacious readers who made it far enough into the book to make sense of Mitchell’s ambitious project. Eventually, even Hollywood caught on, so those of you who’re interested in the premise but frustrated by the execution can go take it all in on the silver screen right now. You could. But I really think you should read the book first, and not just because I’m a librarian.<br />
*Cloud Atlas* is composed of six separate stories fit together like matroishka dolls. It begins with the epistolary narrative of a man at sea in the South Pacific in the 1860s, witnessing the last gasps of the slave trade and the messy, colonial birth of global capitalism and industrialism. The flowery writing perfectly suits a 19th-century adventure tale full of pirates, sailing, exploring and riches. However, just as the action begins to really pick up, the narrative ends mid-sentence.<br />
Another – seemingly unrelated – narrative begins. It follows the couch-surfing adventures of a brilliant composer named Robert Frobisher through 1930s Europe. Full of witty, Wildean dialogue, this narrative is more than entertaining enough to carry the reader through to Frobisher’s discovery of a book sharing the title of *Cloud Atlas*’s interrupted opening narrative in the South Pacific. <br />
Having just gotten readers comfortable, Mitchell again shifts focus; this time, we land in a 1970s-era spy thriller that references Frobisher. Why? No explanation’s given, and the narrative breaks again. Now we follow the head of a vanity publishing house through a comedy of errors leaving him imprisoned in a nursing home in our current time. Then we jump to the testimony of a human clone genetically optimized for food service, testifying her experience living in a hyper-commercialized dystopian version of future-Korea to a corporate archivist. Then we land in post-apocalyptic Hawai’i, where an elder tells his life story in orature. This narrative is the deepest in the layered intertextuality of *Cloud Atlas* – after hearing Zachary Bailey’s life story we move in reverse order back through the other half of the nesting narratives begun earlier in the novel.<br/ >
Technically composed of six well-crafted novellas interlaced in unexpected ways, the weighty consequence of each narrative relies on all the others to be fully realized. *Cloud Atlas* could alternatively have been titled Frankfurt School’s Instrumental Reason: The Novel, but those with no background in Continental philosophy will still find much to love here, if they take the time. *Cloud Atlas* is highly recommended to fans of Margaret Atwood, Ursula K Le Guin or any literary science fiction. It is also recommended to any readers of literary fiction who don’t mind some serious experimentation, and who love beautifully crafted language.
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I lost my balance when the train pulled away, but a human crumple zone buffered my fall. We stayed like that, half fallen. Diagonal People.
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