Shakespeare, Sex, & Love

Shakespeare, Sex, & Love

Book - 2010
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How does Shakespeare's treatment of human sexuality relate to the sexual conventions and language of his times? Pre-eminent Shakespearean critic Stanley Wells draws on historical and anecdotal sources to present an illuminating account of sexual behaviour in Shakespeare's time, particularlyin Stratford-upon-Avon and London. He demonstrates what we know or can deduce of the sex lives of Shakespeare and members of his family. He also provides a fascinating account of depictions of sexuality in the poetry of the period and suggests that at the time Shakespeare was writing most of hisnon-dramatic verse a group of poets catered especially for readers with homoerotic tastes. The second part of Shakespeare, Sex, - and Love focuses on the variety of ways in which Shakespeare treats sexuality in his plays and at how he relates sexuality to love. Wells shows that Shakespeare's attitude to sex developed over the course of his writing career, and devotes whole chapters to'The Fun of Sex' - to how he raises laughter out of the matter of sex in both the language and the plotting of some of his comedies; portrayals of sexual desire; to Romeo and Juliet as the play in which Shakespeare focuses most centrally on issues relating to sex, love, and the relationshipbetween them; to sexual jealousy, traced through four major plays; 'Sexual Experience'; and 'Whores and Saints'. A final chapter, 'Just Good Friends' examines Shakespeare's rendering of same-gender relationships.
Publisher: New York : Oxford University Press, 2010
ISBN: 9780199578597
0199578591
Branch Call Number: 822.33 Wel 3558ad 1
Characteristics: xi, 282 p. :,ill
Alternative Title: Shakespeare, sex, and love

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crankylibrarian Apr 23, 2011

Interesting addition to my Shakespeare shelf. The most useful chapters were the historical look at sexual and courtship behavior in Tudor times, and in Shakespeare's own life; and how this is reflected in the plays. I didn't find the analysis of the play's themselves terribly interesting: you can only absorb so many references to "horns" and "shafts" without your eyes glazing over. I did like Wells' observation that the legendary bawdy humor tends to fade out in the later plays, which reflect a more sober and perhaps moralistic view of sexual relations.

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